This can be really powerful when you want the audience to watch the action unfold from a specific character’s point-of-view.Īnother thing to consider with lenses is the overall quality and characteristics of the set that you’re using. Composing the same close-up on a long lens will have the opposite effect, making the audience feel like they’re watching the character from a distance. Using a lens with a short focal length will render the scene in a completely different way than a lens with a long focal length.Ĭomposing a close-up with a wider lens, for example, will help the audience feel they’re in close proximity to the character. The lens you choose to capture each shot with is one of the most important cinematography elements to understand.
Going the opposite way, cinematographers and film crews can use smooth dolly or Steadicam shots to create a calmer, more relaxed feeling. The fast-paced and violent action, combined with a handheld camera, provides a very immersive experience for the audience.
Some of the best examples of this are the many action scenes in Saving Private Ryan. This technique can provide added energy to a scene, and is often used when the director and cinematographer want the scene to have a frenetic quality. Shooting with a handheld camera, for example, leads to a shakier and less controlled shot. There are many ways to move the camera during a shot, each one evoking it’s own feeling or emotion.
Camera MovementĬamera movement, or lack thereof, can express a character’s emotion, build tension, or heighten energy within a scene. If the main character is feeling insignificant or marginalised, then composing a shot where the character appears tiny in the frame is a great way to visualise this. How you choose to compose a shot can tell the audience a huge amount about a character.įor example, how they’re feeling, and even their relationship to other characters. Shot composition refers to where in the frame different elements such as characters are placed.
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